Nina Khemchyan
Le Temps de la Musique, 2025
Ceramics, gold, pigments
63.0 × 60.0 × 29.0 cm
Yet the “paradise” Nina proposes is not one of celestial escape. It is resolutely grounded—tactile, elemental, and deeply rooted in the material world. This is a paradise of the earth, shaped by hand and fire, where silence and substance converge.
Yet the “paradise” Nina proposes is not one of celestial escape. It is resolutely grounded—tactile, elemental, and deeply rooted in the material world. This is a paradise of the earth, shaped by hand and fire, where silence and substance converge.